" 'Watchmen' features this year's hands-down winner of the bad movie sex award, superhero division: a moment of bliss that takes place on board Nite Owl's nifty little airship, accompanied by Leonard Cohen's 'Hallelujah.' " — A.O. Scott, The New York Times
"The bad news about 'Watchmen' is that it grinds and squelches on for two and a half hours, like a major operation. The good news is that you don't have to stay past the opening credit sequence — easily the highlight of the film." — Anthony Lane, The New Yorker
"Whenever a fight begins (and there's one about every 15 minutes in this 160-minute movie), brace yourself for an abundance of narratively pointless bone-crunching, finger-twisting, limb-sawing, and skull-hacking. These extreme sports are often filmed in 'Matrix'-style slow motion, a technique that tends to grind the story to a halt. Like the money shots in porn movies, Snyder's action scenes are an end in themselves — gratifying if you like that sort of thing, gross if you don't." — Dana Stevens, Slate
"Even 'Watchmen' fanatics may be doomed to a disappointment that results from trying to stay this faithful to a comic book. The opening-credit sequence has a marvelous audacity ... [but] once the film proper begins, Snyder, who did such a terrific job of adapting the solemn Olympian war porn of '300,' treats each image with the same stuffy hermetic reverence. He doesn't move the camera or let the scenes breathe. He crams the film with bits and pieces, trapping his actors like bugs wriggling in the frame." — Owen Gleiberman, Entertainment Weekly
"Alan Moore was right. There isn't a movie in his landmark graphic novel 'Watchmen' — at least not a really good one. What we get instead is something acceptable but pedestrian, an adaptation that is more a prisoner of its story than the master of it." — Kenneth Turan, Los Angeles Times
" 'Watchmen' is a lighter version of very dark material. On its own, the movie is an efficient adrenaline delivery machine, occasionally taking flight and occasionally sputtering, but most often just motoring down a long road with colorful scenery to pass the time." — Peter Martin, Cinematical.com