Originally Posted by
Keebonic Plague
I use ProTools, but the mixing process is universal... the particular functions of different software may vary, a person's preferred methods may vary, but it all comes down to the same basic principles... first, you want your input (vocals, in this case) to be as clean as possible... this includes how you prepare your recording area, you wanna keep all noise to a minimum... turn off the furnace or a/c, ceiling fans, etc... use some sort of sound treatment to absorb your voice's echo from carryin' into the mic... a little room reverb can be good, you'll find what works for you... get your mic as far from the comp as possible, comps are noisy... next, you want your input levels to be in the right range, typically with your AVERAGE peaks hittin' around -12 to -10 on the meter, and your louder peaks hittin' around -6ish... it's not exact, but this will leave room for you to mix after you've recorded... as you progress you'll learn better vocal control and proximity control (how close you are to the mic) and you'll be able to limit the amount of overly loud peaks... next, record... use a pop filter to cut down on plosive sounds (p's and b's etc)... I angle the mic slightly straight away from me as well, so my voice doesn't slam into it dead on but rather "slides" along the face of it... this helps to reduce plosives as well... be aware of your proximity, back away a little if you're puttin' extra emphasis on a part... stay in front of the mic, don't bob and weave or nod your head too much... all this will help to get your input as clean and quality as possible, so you've got a nice piece to begin mixin' rather than fighti' so many elements that can be easily addressed through preparation...
I'll get into mixin' later, I'm goin' to bed though...